A night aboard the "Private Dancer"

Today was meant to be solely dedicated to the formation of the perfectly constructed 3000 word essay on the managerial issues of problem-oriented-policing -programs. I could see this word-count perfect essay crystalline-pure and gem-like beautiful in my mind's eye. It turned gracefully there in the void of my imagination (yes, it's nearly all void in there. Handy for large models of things, but useless for ideas). It caught the light on its pithy, well-selected quotes. It rose above the choppy sea of interminable jargon and earnest justifications that I must trawl in order to form it. *Sigh* So beautiful, so ethereal. So fictitious. In reality, it was caught in the wake of the mighty plot engine I unleashed yesterday and the essay was swamped by the wash and has steadfastly refused to be written.
After the mad dash of 3 000 words in the previous 36 hours (oh Backstory - how I love thee) charting the formation of the (purely platonic!) relationship between Eddie and her Lawyer Henry Thornton (! charming story, really precious!), I have had to wrench myself away from the various saucy wenches of Eddie's world and come back to the plodding mundanities of justifying common sense and referencing it using the harvard system. It's ugly down here in the sea of Mandated Readings.
The trawler I'm on (the 'Private Dancer') is taking on water (in the form of many cups of tea - you want a nice steady, even stream of caffeine. At this point, a coffee would overload the delicate system and send us spinning out of control), and it's gone dark, the source material has merged into one amorphous morass (is that a tautology? Probably, yes, i think it is. too tired to fix it up) of meaningless italicised sections and bold headings with no content to hold them up. I've got some nasty drafts of the opening introduction and definitions section into the hold and on ice until I can gut and clean them, and so I am still needing about 2000 coherent words. I'm reduced to grinding out 20 or 50 stilted, dessicated words at a time, referencing them, and moving on. It's utterly numbing work. This friends, is the far from glamorous life of the essay ghost writer. No sushi here. No black velvet jackets and groovy knitted toys. Just sentences like this: "The management of community partnerships is of critical importance to the development, negotiation and daily operation of QPS's POPP initiatives." <> oh, I kid you not, and that's a tame one, and only 2980 more to go just like it.
I'm new to this game, and they're a tough and private breed the deep-sea ghost writers, they don't give up their secrets and tradecraft easily. In fact I wouldn't even know if there's any others out here - they run their ships dark to avoid detection. Only the wind, the waves and the steady drip of the word count to keep us company until we reach the cold dawn and shore - hopefully with a full hold and a properly formatted bibliography.

Maybe I should sacrifice some whisky and conjure the spirit of Hemingway to see me safely through to the dawn... Yes, that would take care of me, but it would be a shot in the arm for QPS's POPP initiatives. I'm not sure I'm cut out for this, no turning back now.
Wait, I can hear Hemingway!
"Lash yourself to the mast and hold tight to that fish."

WTF have I gotten myself into?