As usual I've been both cranky and ill.
Someone (irritating) at work today said,
"...but i've seen you be cheerful and friendly before"
and before I could remember the cover story I replied
"It was a LIE."
So, it's out in the open. On the other hand, once one has cultivated even a minor reputation for eccentricity, nothing after that needs to make too much sense to be shrugged off as "just another thing." So you can tell the radical truth and it becomes outrageous entertainment.
"What do you think of so-and-so?"
"I love him and obsess over him in the long nights of my solitude."
Cue uproarious laughter.
It couldn't be any better if I actually wore a Jester's outfit.
But I digress.
For anyone who hasn't noticed it is pretty much the middle of the year. I considered some kind of sincere post, but I'm not up to it. The only goal-related thing I would say is that I am happy with my reading list so far this year, which has held up rather well despite being flooded this month by a series of works by Stephenie Meyer. The tally stands at 28 books in total and of these, 13 are non-fiction! Nearly exactly half!! WOOT! (gently mimes punching air so as not to dislodge reading glasses.
Of these, what books can I recommend to you my tasteful and clever audience?
A good question.
From January, Six Easy Pieces by Richard P. Feynman. Very thoughtfully re-published by Penguin in their charming $10 range (thank you Penguin and good idea going back to classic jacket designs!). Get into some Physics - it is already in you!!
February yielded some good quality reading in the form of The Consolations of Philosophy by Alain de Botton (another Penguin $10 winner). A novel about Tesla called The Invention of Everything Else by Samantha Hunt and a collection of Essays gifted to me by Mez called How to be Alone by Jonathan Franzen. I felt pretty clever by association after those highlights.
March needed a new flavour, so I read the new SF by Richard Morgan - The Black Man and I really liked it but I recommend it to SF readers with some qualifications (depending on your taste). The Graveyard Book by Neil Gaiman was lovely and had a little unsaid, which I like. The real standout this month was finishing The Invisibles by Grant Morrison which was a loaner from MsJaye and one of those books that infects and gives one a fever. I got through the fever, and now I can't wait to find out what I'm inoculated against or prepared for. Turns out I love anarchistic-chaos-magic. I want to do it again! (BTW for snobs - be warned - that one's a comic.)
April was quiet, I read some non-fic that was a bit dull and I re-read a favourite novel and then read a French SF novel called Babylon Babies (by Mauice Dantec, but I don't remember the translator. It wasn't Nicole Kidman so don't sweat it). I'd read some mixed reviews and of course the film (Babylon AD)was hopeless but actually i thought that the book was good. Not quite as fully anarchist chaos magical as The Invisibles, but possibly a good enough chaser. Lots of good themes and a clever central character and plenty of wild tech. I would like to read more SF from NESB (non english speaking background) as the flavours and textures are less predictable (all of which was pretty much removed for the film. Poor Vin Diesel. I bet he loved the original script.)
So May was not a big reading month, I was pretty sick, but I did finish Kimono: Fashioning Culture by Liza Dalby which I got on a whim and then was able to read nearly half of during a day of travel. It was fascinating, and I feel slightly more informed now when I watch Japanese cinema, or see modern women wearing Kimono. Actually, I'll fess up and say that I went out of my way to re-watch Memoirs of a Geisha just so I could look at all the kimono.
June, ah June. June has been the month of escapist reading. Binging on one-night-reads is something we all do sometimes, but that doesn't make me proud. In the middle of that I finished What Jane Austen Ate and Charles Darwin Knew: From fox-hunting to Whist - the facts of Daily life in 19th-Century England by Daniel Pool which I had been very eagerly awaiting. I was anticipating a detailed and exhaustive book, but actually this book ought to be subtitled "In Which Things that are Almost Obvious from The Context of the Novel are explained in length oftentimes using Quotations from Self-same Novels. Perhaps you ought to read more proper history books?"
Ah well. More than half of this puny book is pointless. I'm trying to think of a redeeming feature .... um .... it has some nice etchings.
I love to keep lists of books, I wish I'd given-in to the urge a long time ago instead of feeling furtive and dirty for wanting to do so. In a lot of ways it is a more interesting way of tracking the tides and flavours of my life than the dates of trips or the odd event. Movies and Knitting have both taken up a lot of time that I would otherwise have spent reading. But that's ok - ther'e more to come in the great Western Genre exploration, and Riley very nearly has his own bespoke cardigan.
Gotta lotta time out here in the black for lookin' out the window and wonderin about things.
Showing posts with label James Joyce. Show all posts
Showing posts with label James Joyce. Show all posts
Wednesday, July 01, 2009
2009 in books (pt1)
Labels:
Books,
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Cranky,
GBS,
genre,
James Joyce,
Jester,
lists,
movie,
Neil Gaiman,
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science,
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vampire,
Westerns
Wednesday, May 06, 2009
A one-third achievement.
I'm delighted to advise that the project to finish reading Ulysses (by James Joyce) in 2009 continues to trundle forward and today I have basically reached the one-third mark. For those of you good at maths, you will immediately suggest that in order to finish on time I ought to have reached this milestone at the beginning of last month, yes, well done, you are correct.
This does not diminish my current (yet ultimately ephemeral) sense of achievement.
Herewith a relatively random sample (not too random, I chose a bit that at least seems like part of a story) to share with you the jaunty tones and fabulous rhythms. I would give you a little context and explain what is going on, but I barely know myself. I'm trusting in the journey.
Enjoy!
"Lenehan linked his arm warmly.
--But wait till I tell you, he said. We had a midnight lunch too after all the jollification and when we sallied forth it was blue o'clock the morning after the night before. Coming home it was a gorgeous winter's night on the Featherbed Mountain. Bloom and Chris Callinan were on one side of the car and I was with the wife on the other. We started singing glees and duets: LO, THE EARLY BEAM OF MORNING. She was well primed with a good load of Delahunt's port under her bellyband. Every jolt the bloody car gave I had her bumping up against me. Hell's delights! She has a fine pair, God bless her. Like that.
He held his caved hands a cubit from him, frowning:
--I was tucking the rug under her and settling her boa all the time. Know what I mean?
His hands moulded ample curves of air. He shut his eyes tight in delight, his body shrinking, and blew a sweet chirp from his lips.
--The lad stood to attention anyhow, he said with a sigh. She's a gamey mare and no mistake. Bloom was pointing out all the stars and the comets in the heavens to Chris Callinan and the jarvey: the great bear and Hercules and the dragon, and the whole jingbang lot. But, by God, I was lost, so to speak, in the milky way. He knows them all, faith. At last she spotted a weeny weeshy one miles away. AND WHAT STAR IS THAT, POLDY? says she. By God, she had Bloom cornered. THAT ONE, IS IT? says Chris Callinan, SURE THAT'S ONLY WHAT YOU MIGHT CALL A PINPRICK. By God, he wasn't far wide of the mark.
Lenehan stopped and leaned on the riverwall, panting with soft laughter."
This does not diminish my current (yet ultimately ephemeral) sense of achievement.
Herewith a relatively random sample (not too random, I chose a bit that at least seems like part of a story) to share with you the jaunty tones and fabulous rhythms. I would give you a little context and explain what is going on, but I barely know myself. I'm trusting in the journey.
Enjoy!
"Lenehan linked his arm warmly.
--But wait till I tell you, he said. We had a midnight lunch too after all the jollification and when we sallied forth it was blue o'clock the morning after the night before. Coming home it was a gorgeous winter's night on the Featherbed Mountain. Bloom and Chris Callinan were on one side of the car and I was with the wife on the other. We started singing glees and duets: LO, THE EARLY BEAM OF MORNING. She was well primed with a good load of Delahunt's port under her bellyband. Every jolt the bloody car gave I had her bumping up against me. Hell's delights! She has a fine pair, God bless her. Like that.
He held his caved hands a cubit from him, frowning:
--I was tucking the rug under her and settling her boa all the time. Know what I mean?
His hands moulded ample curves of air. He shut his eyes tight in delight, his body shrinking, and blew a sweet chirp from his lips.
--The lad stood to attention anyhow, he said with a sigh. She's a gamey mare and no mistake. Bloom was pointing out all the stars and the comets in the heavens to Chris Callinan and the jarvey: the great bear and Hercules and the dragon, and the whole jingbang lot. But, by God, I was lost, so to speak, in the milky way. He knows them all, faith. At last she spotted a weeny weeshy one miles away. AND WHAT STAR IS THAT, POLDY? says she. By God, she had Bloom cornered. THAT ONE, IS IT? says Chris Callinan, SURE THAT'S ONLY WHAT YOU MIGHT CALL A PINPRICK. By God, he wasn't far wide of the mark.
Lenehan stopped and leaned on the riverwall, panting with soft laughter."
Monday, June 16, 2008
Bloomsday
Well and it is Bloomsday again, and I'm reading my way through Ulysses. Not the first time I've started, but hopefully a finish this time. It is (for anyone who hasn't read it) a dense and rolling read with so many things going on that may (or more usually) may not make any sense. I'm not far in, but I'm already further than I've ever been (that's sounding very Star Trek, isn't it!?) and there's something alien and seductive about this work.
Here's the passage I'm up to:
"Their dog ambled about a bank of dwindling sand, trotting, sniffing on all sides. Looking for something lost in a past life. Suddenly he made off like a bounding hare, ears flung back, chasing the shadow of a lowskimming gull. The man's shrieked whistle struck his limp ears. He turned, bounded back, came nearer, trotted on twinkling shanks. On a field tenney a buck, trippant, proper, unattired. At the lacefringe of the tide he halted with stiff forehoofs, seawardpointed ears. His snout lifted barked at the wavenoise, herds of seamorse. They serpented towards his feet, curling, unfurling many crests, every ninth, breaking, plashing, from far, from farther out, waves and waves."
It starts out like a normal paragraph, and then.... goes somewhere else altogether. I love it.
I remember the first year I discovered Bloomsday, and went to the reading at the Mitchell wing of the state library in Sydney. They had put a first edition of Ulysses in a glass case towards the front of the room, and to me that physical book was a miracle. It was a big moment to consider all the effort, all the writing, all the energy and attention and love and passion that had gone into every single stage of getting those words into that order (look at one of his manuscripts if you ever get a chance - it will rock your world) those pages typed up and the damn thing published, let alone all the way across the world to Sydney.
Forget the travails of Rowling - James Joyce couldn't get a publisher! In the end, Shakespeare and Co. in Paris printed 750 copies (in about 1922). What if there hadn't been anyone willing to risk the prudes, the nay-sayers, the economic uncertainty and publish it at all? But they did, and the world of human literature is richer for it. Is 'human literature' a tautology? At the moment I guess it is, but I'd like to think "not for long"!
Anyway, happy Bloomsday!
Yes! She cried, Yes!!
Here's the passage I'm up to:
"Their dog ambled about a bank of dwindling sand, trotting, sniffing on all sides. Looking for something lost in a past life. Suddenly he made off like a bounding hare, ears flung back, chasing the shadow of a lowskimming gull. The man's shrieked whistle struck his limp ears. He turned, bounded back, came nearer, trotted on twinkling shanks. On a field tenney a buck, trippant, proper, unattired. At the lacefringe of the tide he halted with stiff forehoofs, seawardpointed ears. His snout lifted barked at the wavenoise, herds of seamorse. They serpented towards his feet, curling, unfurling many crests, every ninth, breaking, plashing, from far, from farther out, waves and waves."
It starts out like a normal paragraph, and then.... goes somewhere else altogether. I love it.
I remember the first year I discovered Bloomsday, and went to the reading at the Mitchell wing of the state library in Sydney. They had put a first edition of Ulysses in a glass case towards the front of the room, and to me that physical book was a miracle. It was a big moment to consider all the effort, all the writing, all the energy and attention and love and passion that had gone into every single stage of getting those words into that order (look at one of his manuscripts if you ever get a chance - it will rock your world) those pages typed up and the damn thing published, let alone all the way across the world to Sydney.
Forget the travails of Rowling - James Joyce couldn't get a publisher! In the end, Shakespeare and Co. in Paris printed 750 copies (in about 1922). What if there hadn't been anyone willing to risk the prudes, the nay-sayers, the economic uncertainty and publish it at all? But they did, and the world of human literature is richer for it. Is 'human literature' a tautology? At the moment I guess it is, but I'd like to think "not for long"!
Anyway, happy Bloomsday!
Yes! She cried, Yes!!
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