Honeymoon is Over

Hi,
I'm back from the Honeymoon. I really thought it would last longer - maybe even a whole month - but looks like I'm too old now to stay starry-eyed for long. Not that things have taken a bad, downward turn, just that there's hope, and then there's reality. I find it easier to deal with the reality and push it forcibly(*) towards the memory of hope, rather than get knocked about and continually hurt that the hope isn't being fulfilled.
It has also been somewhat sobering to realise that one of the main skills I have learnt in my working life is how to survive in a Machiavellian environment. Hence the * above - because of course one chooses very carefully those barrows one will push, and where. I don't mean to intimate that I am a Machiavellian player/operator/sympathiser - rather that I learnt early on to *know*thy*enemy* and strangely enough their textbook is widely available. Go on - read The Prince. You can get it in bookstores, you can download it from the internet. I can't believe it's just laying around in libraries. It makes it a lot easier to spot the dilettantes, and stay out of the way of the real players.

Anyway, enough pillow talk.

How have you been?
What have you been up to?
I was going to make June "Good News" month - loads of feel-good updates from the world of grown-ups and corduroy where science and art and music and culture all contribute to making the human race seem like a good idea. It got to the 15th and I hadn't found any, and now I've kinda shelved that idea for the time being. Even just reading the Arts pages can bring me down - on only one day last week David Hockney had a hissy over *ipods* ruining the visual arts, a painting got nicked from the AGNSW!, and Brett Whiteley's drug addled eroticised landscape of the Olgas became the most expensive Australian painting - selling at auction for $3.8m.
Clearly, the world has gone mad and is in no need of my help on this matter.

I did what any self-respecting bogan looser would do, and blew $4 of the grocery money in the op-shop on a VHS copy of Ronin. And it was good. Yes, I escaped into a world where violence and the destruction of beautiful eurpoean cafes is only used to heighten dramatic tension. A world where the deadliest killers (who will shoot a little girl just to prove the point that they're meanies) really are the horrible ex-kgb, and anyone who says they're ex-CIA is really only in deep cover. It all made such good sense for about an hour and a half.

Where did I leave that case of ammo?...